Poster I
Two colours risograph print
«To fragment the drawing is to question it, to decompose it in order to look at it again from a different angle. Over the years, I learned that deconstructing an image is not to break it, but to open it: to open it to understand what it contains, what it hides, what it says.
In this disruptive process there is also a revaluation of error and accident, which become an essential part of the creative process. They are not obstacles, but living parts of the path.
What was previously chaos is reorganized into a new structure: an abstract composition, but loaded with intention. Each fragment preserves the echo of the original gesture, but now speaks with a new language, as if it were an intimate archaeology of the first drawing.
To look at it from within, from the cracks, and, little by little, to order the chaos.»
In this disruptive process there is also a revaluation of error and accident, which become an essential part of the creative process. They are not obstacles, but living parts of the path.
What was previously chaos is reorganized into a new structure: an abstract composition, but loaded with intention. Each fragment preserves the echo of the original gesture, but now speaks with a new language, as if it were an intimate archaeology of the first drawing.
To look at it from within, from the cracks, and, little by little, to order the chaos.»
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